Saturday, September 6, 2014
The trip to Seal Cove also gave me a chance to reconnect with Tina Weeks, daughter of Richard C. Paine, Jr. whose collection forms the Seal Cove Auto Museum. I consider her something of a “soul sister” on account of our car-collecting fathers. Here we are in front of the 1913 Peugeot which belonged to my father, and then hers (with ownership by Dr. Sam Scher in between Melton and Paine).
Monday, September 1, 2014
A little over a week ago I did a talk about and reading from The Tenor of His Times at the Seal Cove Auto Museum on Mt. Desert Island, Maine. I had the opportunity to reconnect with Roberto Rodriguez, former executive director of the museum, now its chief curator, who had invited me to speak, and meet the museum’s new executive director, Raney Bench.
You may recall that in September 2010 I did a talk at the museum. That was before my book was published. (See posts from 9/15/10 and 9/29/10.)
Because it’s such a long drive to Mt. Desert (although worth every hour! I love Maine!) I asked my friend, Heidi Hoskin to accompany me, and we took a few extra days to make stops along the route—at the Bowdoin College Museum of Art in Brunswick, the Coastal Maine Botanical Garden near Boothbay, and the Farnsworth Museum in Rockland. We had a wonderful time on the whole trip, and were especially delighted with the welcoming hospitality at the Seal Cove Auto Museum.
This is Heidi and me in front of the 1913 Peugeot “Skiff” that was previously owned by my father.
Monday, August 4, 2014
I had a nice surprise last week -- a photo taken at the Hershey meet in 1958 – sent to me by Alan Ballard.
He writes: "The photo shows our fathers standing next to a 1910 Thomas Flyer Flyabout that once belonged to my father. (The picture was taken by Ken Stauffer, a long time friend and past president of AACA who died earlier this year.) The person in the middle is Tom Lester, who bought the car from my father and is showing it for the first time. I believe your father once owned a similar Thomas.
As someone who also was "born" into the antique car hobby, I remember your father not only for his love of antique cars, but for his musical talents. I still recall his referring to his antique car friends as "squirrels'!
It’s always delightful to hear from folks who actually knew my father! Thanks for the photo, Alan. And on the subject of "squirrels," did you know my father had a license plate that read SQRL?
Tuesday, July 15, 2014
I've just finished a fascinating book: One Summer – America, 1927 by Bill Bryson.
I always like Bryson's work, and the subject of this book seemed particularly intriguing to me. My father, helped by a loan from several Nashville businessmen, arrived in New York City to seek his fortune in the spring of 1927.
On July 4, 1927 my father made his New York radio debut as a member of “Roxy's Gang.” Roxy was impresario, Samuel L. Rothafel. “Roxy’s Gang,” which was on the air from 1922 through 1931, was broadcast on the National Broadcasting Corporation’s Blue Network, Monday evenings at 7:30. My father joined Gang regulars Douglas Stanbury and Maria Gambarelli. (Over the years, such performers as orchestra leader Fred Waring, tenor Jan Peerce, baritone Leonard Warren, and radio personality Kate Smith were guests on the program.)
My not-yet famous father isn’t mentioned in Bryson’s book, but I was fascinated to know how many other amazing things occurred during that spring and summer of 1927—from Lindbergh’s flight, to Babe Ruth’s home run record, the execution of alleged anarchists Sacco & Vanzetti, Al Capone’s activities in Chicago, the dedication of Mount Rushmore, and on and on. A great read! And for me, great background on what was happening at the moment my father embarked on his career.
Thursday, June 26, 2014
This is from the souvenir booklet for the Melton Museum in Norwalk, Connecticut (1949)
This photograph of my parents is actually from the December 7, 1942 issue of Opera News.
That was the date of my father's debut at the Metropolitan Opera as Tamino in "The Magic Flute."
This is the car as it looks today. (Thanks for sending this, Mike.)
This one, according to Mike, he bought five years ago. It had gone from Winthrop Rockefeller (who bought most of my father's collection from the Autorama in 1961), to Bill Harrah, to Bill Anderson, and now to Mike.
Unfortunately, none of the sales records or inventories from my father's collection survived--so I don't know when my father bought the car, from whom, or for how much.
I don't personally recall the car, as it stayed pretty much on display in the museum. Although I'm sure it ran; all of the cars in the collection did! But it was not one of the cars my father drove frequently to meets, etc., like he did the 1907 Rolls Royce Silver Ghost and the 1913 Mercer Raceabout. Those I do remember riding in frequently (and have photos to prove it).
I wish I knew more about this unusual vehicle.
Sunday, May 18, 2014
I've purchased many unusual items of Melton memorabilia on e-bay over the years, and even connected with a couple of cousins I didn't know about (we were bidding against each other on some item, and I e-mailed to find out who they were). But my latest foray to the auction site yielded a Melton Museum souvenir catalog of cars in the Norwalk, Connecticut collection that has a reserve price of $1,500! And a "buy it now" price of $2,500. Whoa! I'd love to know if the seller gets any bids. I have half a dozen of these catalogs in my collection.
Sunday, March 30, 2014
Here's another nice "bolt from the blue."
Back in 2004 I had some correspondence with Jim Pegolotti, author of a biography of Deems Taylor (1885-1966)—the American composer, music critic and promoter of classical music. I had enjoyed his book (Deems Taylor: A Biography, published by Northeastern University Press in 2003), and wrote inquiring if there had been any connection or interaction between my father and Taylor. There hadn't. But Jim was kind and encouraging about my project.
At any rate, last month I had a nice letter from Jim, saying he had read my book, and here is what he wrote about it:
"You have written a uniquely compelling biography, for while your ostensible purpose is a chronology of th life of your father, you have written a fascinating story of three people: you father, your mother and you. A biography written by someone who lived with the subject provides a stronger emotional reaction on the reader than one written by a 'stranger.' With the exceptional letters of your mother covering the early years, the your recollections coming firmly in your father's final years, nothing could come closer to giving the reader the sense of a singer who ultimately lost control of himself. I suppose he gave in to the power of fame. And yet what a wonderful voice."
Thank you Jim!